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In the zombie apocalypse, your worst enemy may be yourself.
From the Until the End of the World and City Series universe comes the story of the virus on the West Coast. Where the end of the world is only the beginning…
Rose Winter has enough problems. With a marriage going down the tubes and a dreaded anniversary party on the horizon, the last thing she needs is the zombie apocalypse. She wanted to get drunk and sing karaoke, not murder her undead neighbors. It’s clear the party’s over, however, and now Rose has more problems—a missing husband, an overbearing houseguest, and keeping her family alive.
Tom Jensen has inflexible rules. Rule number one? Don’t deviate from the plan. But when his life is overturned in the space of minutes, his plans die along with everything else. The world is finished, the future is uncertain, and survival means living in the last place he’d planned to be. Maybe his rules weren’t meant to be broken, but if he can’t change his tune, he risks losing the one thing he has left—his daughter.
Craig Matthews has a mission: get to Oregon. Doable, maybe, if he could bring himself to leave his apartment. With his food and water near gone and death closer than ever, a chance encounter may lead to finding his friends—if he can first find his courage.
Unfortunately, the new world doesn’t always mean leaving old problems behind, and as the West Coast succumbs to the virus, the survivors face more than the undead—they face themselves. But in an existence where fences offer dubious safety and zombies certain danger, people may save you in more ways than one.
Ryland Grace is the sole survivor on a desperate, last-chance mission—and if he fails, humanity and the earth itself will perish.
Except that right now, he doesn’t know that. He can’t even remember his own name, let alone the nature of his assignment or how to complete it.
All he knows is that he’s been asleep for a very, very long time. And he’s just been awakened to find himself millions of miles from home, with nothing but two corpses for company.
His crewmates dead, his memories fuzzily returning, Ryland realizes that an impossible task now confronts him. Hurtling through space on this tiny ship, it’s up to him to puzzle out an impossible scientific mystery—and conquer an extinction-level threat to our species.
And with the clock ticking down and the nearest human being light-years away, he’s got to do it all alone.
Or does he?
An irresistible interstellar adventure as only Andy Weir could deliver, Project Hail Mary is a tale of discovery, speculation, and survival to rival The Martian—while taking us to places it never dreamed of going.
“Pop your favorite Agatha Christie whodunnit into a blender with a scoop of Downton Abbey, a dash of Quantum Leap, and a liberal sprinkling of Groundhog Day and you’ll get this unique murder mystery.” —Harper’s Bazaar
The 7½ Deaths of Evelyn Hardcastle is a breathlessly addictive mystery that follows one man’s race to find a killer, with an astonishing time-turning twist that means nothing and no one are quite what they seem.
Aiden Bishop knows the rules. Evelyn Hardcastle will die every day until he can identify her killer and break the cycle. But every time the day begins again, Aiden wakes up in the body of a different guest at Blackheath Manor. And some of his hosts are more helpful than others. With a locked-room mystery that Agatha Christie would envy, Stuart Turton unfurls a breakneck novel of intrigue and suspense.
Patricia Campbell’s life has never felt smaller. Her husband is a workaholic, her teenage kids have their own lives, her senile mother-in-law needs constant care, and she’s always a step behind on her endless to-do list. The only thing keeping her sane is her book club, a close-knit group of Charleston women united by their love of true crime. At these meetings they’re as likely to talk about the Manson family as they are about their own families.
One evening after book club, Patricia is viciously attacked by an elderly neighbor, bringing the neighbor’s handsome nephew, James Harris, into her life. James is well traveled and well read, and he makes Patricia feel things she hasn’t felt in years. But when children on the other side of town go missing, their deaths written off by local police, Patricia has reason to believe James Harris is more of a Bundy than a Brad Pitt. The real problem? James is a monster of a different kind—and Patricia has already invited him in.
Little by little, James will insinuate himself into Patricia’s life and try to take everything she took for granted—including the book club—but she won’t surrender without a fight in this blood-soaked tale of neighborly kindness gone wrong.
Somewhere out beyond the edge of the universe there is a library that contains an infinite number of books, each one the story of another reality. One tells the story of your life as it is, along with another book for the other life you could have lived if you had made a different choice at any point in your life. While we all wonder how our lives might have been, what if you had the chance to go to the library and see for yourself? Would any of these other lives truly be better?
In The Midnight Library, Matt Haig’s enchanting blockbuster novel, Nora Seed finds herself faced with this decision. Faced with the possibility of changing her life for a new one, following a different career, undoing old breakups, realizing her dreams of becoming a glaciologist; she must search within herself as she travels through the Midnight Library to decide what is truly fulfilling in life, and what makes it worth living in the first place.
The Thief Kingdom is a place hidden within the world of Aadilor. Many whisper of its existence, but few have found this place, where magic and pleasure abound. There, the mysterious Thief King reigns supreme with the help of the Mousai, a trio of revered and feared sorceresses.
Larkyra Bassette may be the youngest of the Mousai, but when she sings her voice has the power to slay monsters. When it’s discovered the Duke of Lachlan is siphoning a poisonous drug from the Thief Kingdom and using it to abuse his tenants, Larkyra is offered her first solo mission to stop the duke. Eager to prove herself, Larkyra accepts by posing as the duke’s potential bride. But her plans grow complicated when she finds herself drawn to Lord Darius Mekenna, Lachlan’s rightful heir. Soon she suspects Darius has his own motivations for ridding Lachlan of the corrupt duke. Larkyra and Darius must learn to trust each other if there is to be any hope of saving the people of Lachlan—and themselves.
Welcome to the world of Aadilor, where lords and ladies can be murderers and thieves, and the most alluring notes are often the deadliest. Dare to listen?
A young Puritan woman—faithful, resourceful, but afraid of the demons that dog her soul—plots her escape from a violent marriage in this riveting and propulsive novel of historical suspense.
Boston, 1662. Mary Deerfield is twenty-four-years-old. Her skin is porcelain, her eyes delft blue, and in England she might have had many suitors. But here in the New World, amid this community of saints, Mary is the second wife of Thomas Deerfield, a man as cruel as he is powerful. When Thomas, prone to drunken rage, drives a three-tined fork into the back of Mary’s hand, she resolves that she must divorce him to save her life.
But in a world where every neighbor is watching for signs of the devil, a woman like Mary—a woman who harbors secret desires and finds it difficult to tolerate the brazen hypocrisy of so many men in the colony—soon becomes herself the object of suspicion and rumor. When tainted objects are discovered buried in Mary’s garden, when a boy she has treated with herbs and simples dies, and when their servant girl runs screaming in fright from her home, Mary must fight to not only escape her marriage, but also the gallows.
A twisting, tightly plotted novel of historical suspense from one of our greatest storytellers, Hour of the Witch is a timely and terrifying story of socially sanctioned brutality and the original American witch hunt.
Anna Hart is a seasoned missing persons detective in San Francisco with far too much knowledge of the darkest side of human nature. When tragedy strikes her personal life, Anna, desperate and numb, flees to the Northern California village of Mendocino to grieve. She lived there as a child with her beloved foster parents, and now she believes it might be the only place left for her. Yet the day she arrives, she learns that a local teenage girl has gone missing.
The crime feels frighteningly reminiscent of the most crucial time in Anna’s childhood, when the unsolved murder of a young girl touched Mendocino and changed the community forever. As past and present collide, Anna realizes that she has been led to this moment. The most difficult lessons of her life have given her insight into how victims come into contact with violent predators. As Anna becomes obsessed with saving the missing girl, she must accept that true courage means getting out of her own way and learning to let others in.
Weaving together actual cases of missing persons, trauma theory, and a hint of the metaphysical, this propulsive and deeply affecting novel tells a story of fate, necessary redemption, and what it takes, when the worst happens, to reclaim our lives—and our faith in one another.
In the late 1800s, three sisters use witchcraft to change the course of history in this powerful novel of magic, family, and the suffragette movement.
In 1893, there’s no such thing as witches. There used to be, in the wild, dark days before the burnings began, but now witching is nothing but tidy charms and nursery rhymes. If the modern woman wants any measure of power, she must find it at the ballot box.
But when the Eastwood sisters―James Juniper, Agnes Amaranth, and Beatrice Belladonna―join the suffragists of New Salem, they begin to pursue the forgotten words and ways that might turn the women’s movement into the witch’s movement. Stalked by shadows and sickness, hunted by forces who will not suffer a witch to vote―and perhaps not even to live―the sisters will need to delve into the oldest magics, draw new alliances, and heal the bond between them if they want to survive.
There’s no such thing as witches. But there will be.
An homage to the indomitable power and persistence of women, The Once and Future Witches reimagines stories of revolution, motherhood, and women’s suffrage—the lost ways are calling.
England, 1580: The Black Death creeps across the land, an ever-present threat, infecting the healthy, the sick, the old and the young alike. The end of days is near, but life always goes on.
A young Latin tutor—penniless and bullied by a violent father—falls in love with an extraordinary, eccentric young woman. Agnes is a wild creature who walks her family’s land with a falcon on her glove and is known throughout the countryside for her unusual gifts as a healer, understanding plants and potions better than she does people. Once she settles with her husband on Henley Street in Stratford-upon-Avon, she becomes a fiercely protective mother and a steadfast, centrifugal force in the life of her young husband, whose career on the London stage is just taking off when his beloved young son succumbs to sudden fever.
SOMETIMES GROWING UP
MEANS FACING YOUR DEMONS
The son of a struggling single mother, Jamie Conklin just wants an ordinary childhood. But Jamie is no ordinary child. Born with an unnatural ability his mom urges him to keep secret, Jamie can see what no one else can see and learn what no one else can learn. But the cost of using this ability is higher than Jamie can imagine – as he discovers when an NYPD detective draws him into the pursuit of a killer who has threatened to strike from beyond the grave.
LATER is Stephen King at his finest, a terrifying and touching story of innocence lost and the trials that test our sense of right and wrong. With echoes of King’s classic novel It, LATER is a powerful, haunting, unforgettable exploration of what it takes to stand up to evil in all the faces it wears.
It is 997 CE, the end of the Dark Ages. England is facing attacks from the Welsh in the west and the Vikings in the east. Those in power bend justice according to their will, regardless of ordinary people and often in conflict with the king. Without a clear rule of law, chaos reigns.
In these turbulent times, three characters find their lives intertwined. A young boatbuilder’s life is turned upside down when his home is raided by Vikings, forcing him and his family to move and start their lives anew in a small hamlet where he does not fit in. . . . A Norman noblewoman marries for love, following her husband across the sea to a new land, but the customs of her husband’s homeland are shockingly different, and it soon becomes clear to her that a single misstep could be catastrophic. . . . A monk dreams of transforming his humble abbey into a center of learning that will be admired throughout Europe. And each in turn comes into dangerous conflict with a clever and ruthless bishop who will do anything to increase his wealth and power.
Thirty years ago, Ken Follett published his most popular novel, The Pillars of the Earth. Now, Follett’s masterful new prequel The Evening and the Morning takes us on an epic journey into a historical past rich with ambition and rivalry, death and birth, love and hate, that will end where The Pillars of the Earth begins.
A mysterious note. A shadowy figure from Sam Jameson’s past. They invade Sam’s self-imposed exile to deliver shocking news: Alexander Wells, the man who murdered a five-year-old girl and framed Sam to take the fall, didn’t die in the fiery blast that almost claimed her life.
Wells is alive.
And he’s recruited a team of hardened criminal operatives with just one target in their sights: Sam Jameson.
Sam soon finds herself at the mercy of forces with unthinkable reach and resources. With rogue government elements, a brutal organized crime family, and the world’s most powerful clandestine cabal all lined up against her, Sam must escape a terrifying fate at the hands of a madman to make the most difficult choice of her life.
And along the way, Sam must reconcile her growing feelings for an old friend with her heartbreak over the loss of Brock James, the man she planned to spend her life with.
One exceptional boy journeys into the ashes of society to find the cure for a devastating plague in this riveting post-apocalyptic standalone set in the same world as the USA Today-bestselling The Girl With All the Gifts.
Once upon a time, in a land blighted by terror, there was a very clever boy.
The people thought the boy could save them, so they opened their gates and sent him out into the world.
To where the monsters lived.
“Strange and surprising and humane” (Lauren Beukes), The Boy on the Bridge is a gripping, powerful story that will make you question what it means to be human.
Meet Roy Ballard, freelance videographer with a knack for catching insurance cheats. He’s working a routine case, complete with hours of tedious surveillance, when he sees something that shakes him to the core. There, with the subject, is a little blond girl wearing a pink top and denim shorts—the same outfit worn by Tracy Turner, a six-year-old abducted the day before. When the police are skeptical of Ballard’s report—and with his history, who can blame them?—it’s the beginning of the most important case of his life.
One of the most beautiful and brilliant women of her time, Gladys Deacon dazzled and puzzled the glittering social circles in which she moved.
Born in Paris to American parents in 1881, Gladys emerged from a traumatic childhood – her father having shot her mother’s lover dead when Gladys was only eleven – to captivate and inspire some of the greatest literary and artistic names of the Belle Epoque. Marcel Proust wrote of her, ‘I never saw a girl with such beauty, such magnificent intelligence, such goodness and charm.’ Berenson considered marrying her, Rodin and Monet befriended her, Boldini painted her and Epstein sculpted her. She inspired love from diverse Dukes and Princes, and the interest of women such as the Comtesse Greffulhe and Gertrude Stein.
In 1921, when Gladys was forty, she achieved the wish she had held since the age of fourteen to marry the 9th Duke of Marlborough, then freshly divorced from fellow American Consuelo Vanderbilt. Gladys’s circle now included Lady Ottoline Morrell, Lytton Strachey and Winston Churchill, who described her as ‘a strange, glittering being’. But life at Blenheim was not a success: when the Duke evicted her in 1933, the only remaining signs of Gladys were two sphinxes bearing her features on the west terraces and mysterious blue eyes in the grand portico. She became a recluse, and the wax injections she’d had to straighten her nose when she was 22 had by now ravaged her beauty. Gladys was to spend her last years in the psycho-geriatric ward of a mental hospital, where she was discovered by a young Hugo Vickers.
Intrigued and compelled to unmask the truth of her mysterious life, Vickers visited her over the course of two years, eventually publishing Gladys, Duchess of Marlborough, a biography of her life – and his first book – in 1979, two years after Gladys’s death. Forty years on, Vickers has now completely rewritten and revised his original biography, updating it with previously unavailable material and drawing on his own personal research all over Europe and America.
He once asked Gladys, ‘Where is Gladys Deacon?’ She answered him slowly, ‘Gladys Deacon? . . . She never existed.’ The Sphinx is a fascinating portrait of this elusive but brilliant woman who was at the centre of a now bygone era of wealth and privilege – and a tribute to one of the brightest stars of her age.
Swan is a nine-year-old Kansas girl following her struggling mother from one trailer park to the next when she receives visions of doom—something far wider than the narrow scope of her own beleaguered life. In a blinding flash, nuclear bombs annihilate civilization, leaving only a few buried survivors to crawl onto a scorched landscape that was once America.
In Manhattan, a homeless woman stumbles from the sewers, guided by the prophecies of a mysterious amulet, and pursued by something wicked; on Idaho’s Blue Dome Mountain, an orphaned boy falls under the influence of depraved survivalists and discovers the value of a killer instinct; and amid the devastating dust storms on the Great Plains of Nebraska, Swan forms a heart-and-soul bond with an unlikely new companion. Soon they will cross paths. But only Swan knows that they must endure more than just a trek across an irradiated country of mutated animals, starvation, madmen, and wasteland warriors.
Swan’s visions tell of a coming malevolent force. It’s a shape-shifting embodiment of the apocalypse, and of all that is evil and despairing. And it’s hell-bent on destroying the last hope of goodness and purity in the world. Swan is that hope. Now, she must fight not only for her own survival, but for that of all mankind.
A winner of the Bram Stoker Award and a finalist for the World Fantasy Award, Swan Song has become a modern classic, called “a chilling vision that keeps you turning pages to the shocking end” by John Saul and “a long, satisfying look at hell and salvation” by Publishers Weekly.
Victoria McQueen has an uncanny knack for finding things: a misplaced bracelet, a missing photograph, answers to unanswerable questions. When she rides her bicycle over the rickety old covered bridge in the woods near her house, she always emerges in the places she needs to be.
Charles Talent Manx has a gift of his own. He likes to take children for rides in his 1938 Rolls-Royce Wraith with the vanity plate NOS4A2. In the Wraith, he and his innocent guests can slip out of the everyday world and onto hidden roads that lead to an astonishing playground of amusements he calls Christmasland. The journey across the highway of Charlie’s twisted imagination transforms his precious passengers, leaving them as terrifying and unstoppable as their benefactor.
Then comes the day when Vic goes looking for trouble…and finds her way to Charlie. That was a lifetime ago. Now, the only kid ever to escape Charlie’s evil is all grown up and desperate to forget. But Charlie Manx hasn’t stopped thinking about Victoria McQueen. On the road again, he won’t slow down until he’s taken his revenge. He’s after something very special—something Vic can never replace.
As a life-and-death battle of wills builds, Vic McQueen prepares to destroy Charlie once and for all—or die trying.
At an internment camp in Indonesia, forty-seven people are pronounced dead with acute hemorrhagic fever. When epidemiologist Henry Parsons travels there on behalf of the World Health Organization to investigate, what he finds will have staggering repercussions. Halfway across the globe, the deputy director of U.S. Homeland Security scrambles to mount a response to the rapidly spreading pandemic leapfrogging around the world, which she believes may be the result of an act of biowarfare. And a rogue experimenter in man-made diseases is preparing his own terrifying solution.
As already-fraying global relations begin to snap, the virus slashes across the United States, dismantling institutions and decimating the population. With his own wife and children facing diminishing odds of survival, Henry travels from Indonesia to Saudi Arabia to his home base at the CDC in Atlanta, searching for a cure and for the origins of this seemingly unknowable disease. The End of October is a one-of-a-kind thriller steeped in real-life political and scientific implications, filled with the insight that has been the hallmark of Wright’s acclaimed nonfiction and the full-tilt narrative suspense that only the best fiction can offer.
Augustus Everett is an acclaimed author of literary fiction. January Andrews writes bestselling romance. When she pens a happily ever after, he kills off his entire cast.
They’re polar opposites.
In fact, the only thing they have in common is that for the next three months, they’re living in neighboring beach houses, broke, and bogged down with writer’s block.
Until, one hazy evening, one thing leads to another and they strike a deal designed to force them out of their creative ruts: Augustus will spend the summer writing something happy, and January will pen the next Great American Novel. She’ll take him on field trips worthy of any rom-com montage, and he’ll take her to interview surviving members of a backwoods death cult (obviously). Everyone will finish a book and no one will fall in love. Really.
Readers adore Stephen King’s novels, and his novellas are their own dark treat, briefer but just as impactful and enduring as his longer fiction. Many of his novellas have been made into iconic films, including “The Body” (Stand by Me) and “Rita Hayworth and Shawshank Redemption” (Shawshank Redemption).
The four brilliant tales in If It Bleeds prove as iconic as their predecessors. In the title story, reader favorite Holly Gibney (from the Mr. Mercedes trilogy and The Outsider) must face her fears, and possibly another outsider—this time on her own. In “Mr. Harrigan’s Phone” an intergenerational friendship has a disturbing afterlife. “The Life of Chuck” explores, beautifully, how each of us contains multitudes. And in “Rat,” a struggling writer must contend with the darker side of ambition.
If these novellas show King’s range, they also prove that certain themes endure. One of King’s great concerns is evil, and in If It Bleeds, there’s plenty of it. There is also evil’s opposite, which in King’s fiction often manifests as friendship. Holly is reminded that friendship is not only life-affirming but can be life-saving. Young Craig befriends Mr. Harrigan, and the sweetness of this late-in-life connection is its own reward.
“An adroit vehicle to showcase the…nature of evil” (The Boston Globe), If It Bleeds is “exactly what I wanted to read right now,” says Ruth Franklin in The New York Times Book Review.
The River of Doubt—it is a black, uncharted tributary of the Amazon that snakes through one of the most treacherous jungles in the world. Indians armed with poison-tipped arrows haunt its shadows; piranhas glide through its waters; boulder-strewn rapids turn the river into a roiling cauldron.
After his humiliating election defeat in 1912, Roosevelt set his sights on the most punishing physical challenge he could find, the first descent of an unmapped, rapids-choked tributary of the Amazon. Together with his son Kermit and Brazil’s most famous explorer, Cândido Mariano da Silva Rondon, Roosevelt accomplished a feat so great that many at the time refused to believe it. In the process, he changed the map of the western hemisphere forever.
Along the way, Roosevelt and his men faced an unbelievable series of hardships, losing their canoes and supplies to punishing whitewater rapids, and enduring starvation, Indian attack, disease, drowning, and a murder within their own ranks. Three men died, and Roosevelt was brought to the brink of suicide. The River of Doubt brings alive these extraordinary events in a powerful nonfiction narrative thriller that happens to feature one of the most famous Americans who ever lived.
From the soaring beauty of the Amazon rain forest to the darkest night of Theodore Roosevelt’s life, here is Candice Millard’s dazzling debut.
I am the star of screaming headlines and campfire ghost stories. I am one of the four Black-Eyed Susans. The lucky one.
As a sixteen-year-old, Tessa Cartwright was found in a Texas field, barely alive amid a scattering of bones, with only fragments of memory as to how she got there. Ever since, the press has pursued her as the lone surviving “Black-Eyed Susan,” the nickname given to the murder victims because of the yellow carpet of wildflowers that flourished above their shared grave. Tessa’s testimony about those tragic hours put a man on death row.
Now, almost two decades later, Tessa is an artist and single mother. In the desolate cold of February, she is shocked to discover a freshly planted patch of black-eyed susans—a summertime bloom—just outside her bedroom window. Terrified at the implications—that she sent the wrong man to prison and the real killer remains at large—Tessa turns to the lawyers working to exonerate the man awaiting execution. But the flowers alone are not proof enough, and the forensic investigation of the still-unidentified bones is progressing too slowly. An innocent life hangs in the balance. The legal team appeals to Tessa to undergo hypnosis to retrieve lost memories—and to share the drawings she produced as part of an experimental therapy shortly after her rescue.
What they don’t know is that Tessa and the scared, fragile girl she was have built a fortress of secrets. As the clock ticks toward the execution, Tessa fears for her sanity, but even more for the safety of her teenaged daughter. Is a serial killer still roaming free, taunting Tessa with a trail of clues? She has no choice but to confront old ghosts and lingering nightmares to finally discover what really happened that night.
Shocking, intense, and utterly original, Black-Eyed Susans is a dazzling psychological thriller, seamlessly weaving past and present in a searing tale of a young woman whose harrowing memories remain in a field of flowers—as a killer makes a chilling return to his garden.
The bestselling historical fiction novel from Kim Michele Richardson, this is a novel following Cussy Mary, a packhorse librarian and her quest to bring books to the Appalachian community she loves, perfect for readers of William Kent Kreuger and Lisa Wingate. The perfect addition to your next book club!
The hardscrabble folks of Troublesome Creek have to scrap for everything—everything except books, that is. Thanks to Roosevelt’s Kentucky Pack Horse Library Project, Troublesome’s got its very own traveling librarian, Cussy Mary Carter.
Cussy’s not only a book woman, however, she’s also the last of her kind, her skin a shade of blue unlike most anyone else. Not everyone is keen on Cussy’s family or the Library Project, and a Blue is often blamed for any whiff of trouble. If Cussy wants to bring the joy of books to the hill folks, she’s going to have to confront prejudice as old as the Appalachias and suspicion as deep as the holler.
Inspired by the true blue-skinned people of Kentucky and the brave and dedicated Kentucky Pack Horse library service of the 1930s, The Book Woman of Troublesome Creek is a story of raw courage, fierce strength, and one woman’s belief that books can carry us anywhere—even back home.